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After most of its population was slaughtered or deported, it became the last part of Great Britain to be brought under the control of the state. It was once the bloodiest region in the country, fought over by Henry VIII, Elizabeth I, and James V.

The oldest detectable territorial division in Great Britain, the Debatable Land served as a buffer between Scotland and England. Two years ago, Graham Robb moved to a lonely house on the very edge of England, near the banks of a river that once marked the southern boundary of the legendary Debatable Land. The Bone and Sinew of the Land by Anna-Lisa Cox Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), this grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Dance would grow and take on many roles for Henry: exercise, confidence builder, an excuse to travel, a source of ongoing wonder and-when he dances with Alzheimer’s patients-even a kind of community service. When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger.

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All our titles are in our catalog you may search it at any time.Įqual parts memoir and cultural history, from acclaimed comic stylist and professional hobbyist Henry Alford comes a hilarious journey through the world of dance that will inform, entertain and leave readers tapping their toes.

If the title is not at your closest branch, place a hold and it will be delivered there for you. Random Media of LA is releasing worldwide, my last film, THIS GOOD EARTH on 19 April 2022.The following titles – and more – will be on the shelves of Hartford Public Library, beginning June 12. These two discussions will lead to workshops, but first they will introduce people to the nature of the what will follow in much greater detail, and I believe, be of interest themselves. The second will introduce ideas when planning video documentary-making to change the world frame by frame. It will not in the main be about technique, but about thinking visually.

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The first will introduce a series of linked ideas about photography and photographing. Soon to announce 2 talks of about 2 hours each. As so often, I used my Hasselblad and 80mm lens, then converted the negative into a scanned neg, edited in Photoshop, originally as a Tritone of greys and then reduced to a RGB JPEG for use in this blog. The image, CHILD, CAT AND CHURCH was shot in the famous Tuscan Hill Town, San Gimignano. They are somehow irredeemably merged in a momentary dance of life a dance that does not favour the building.

But why is she alone in a very large urban space, in front of the massive façade of an Italian Romanesque church? Is the cat a distraction from the cold, dead space she may well know, inside the dark chilly building? Is the playfulness a momentary escape from the po-faced priests?įor me, the juxtaposition of the huge sunbathed stony façade and the delicate lines of the two living creatures join the form and the content of the photograph. Where the silhouette is located tells us a lot but not everything. It is in the gap between the silhouette and the everything where real interest is found.Ī child, probably a little girl, speaks or offers to a cat, something. The reading of the silhouetted character is dependent on the look of the context – streets, buildings, rooms and so on. Like medieval Byzantine portraits, whose faces reflected nothing of the individual (as then the individual didn’t exist except as a reflection of their God) silhouettes are but an outline of a human performing an action or simply being, a being without facial identity or features. In one sense it’s a way to characterise us as a species. I have been forever attracted to photographing silhouettes. THE REMOTE WORLD OF SHADOWS AND SILHOUETTES. To understand myself on this beautiful planet, I photograph: See the previous Blogs for Parts ONE and TWO Ten levels of intimacy that relate my camera to the world.

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ONE: HOW TO TELL STORIES WITH PHOTOGRAPHS.March WORKSHOP 2: HOW TO USE VIDEO TO CHANGE THE WORLD.Opera Circus and Happy Home and School for the Blind.