#Bridget everett new yorker series

The death in 1485 of Richard III, the accession of Henry Tudor as Henry VII, and Henry's marriage to Bridget's eldest sister, Elizabeth of York, changed the dynamic. Bridget, along with her sisters and mother, emerged from sanctuary only after 1 March 1484, when Elizabeth Woodville finally made accommodation with Richard III. She took with her all her daughters and her youngest surviving son, Richard, as well as much treasure and other possessions. Elizabeth Woodville had fled there on the night of 30 April 1483, for fear of Edward IV's younger brother who soon took the throne as King Richard III. The Sanctuary was a legally defined and protected area of relative safety within the boundary walls of the Abbey. For much of 1483 and the early months of 1484, however, she was with her mother and older sisters in semi-confinement within the Sanctuary of Westminster Abbey. in the Wardrobe', that is, in the storehouse and occasional royal residence just north of Baynard's Castle and the church of St Andrew-by-the-Wardrobe in the city of London. In the spring, or just possibly the summer, of 1483 Bridget was ill, lying 'sick. Bridget's maternal aunt Lady Maltravers served as her godmother at her confirmation, which immediately followed the baptism.

The child was carried by Lady Margaret Beaufort, the wife of Lord Stanley, the steward of Edward IV's household. Her godfather was the aged William Waynflete, Bishop of Winchester.

Her godmothers at the baptismal font were her paternal grandmother, Cecily Neville, Duchess of York, and her oldest sister, Elizabeth of York. She was baptised in the chapel there by Edward Story, the bishop of Chichester on 11 November 1480. She was a nun at Dartford Priory.īridget was born to Edward IV and Elizabeth Woodville, the king and queen of England, in the royal manor house of Eltham, in Kent, now known as Eltham Palace, London, on 10 November 1480. So, too, has yours.Bridget of York (10 November 1480 – 1507) was an English princess, the tenth child and seventh daughter of Edward IV and Elizabeth Woodville. By the end of episode 3 when, with the light of an electric crucifix glowing behind her like a sacrilegious halo, she belts the final notes of “Piece of My Heart” and rips her V-neck T-shirt to reveal her bra and cleavage, you can see a person whose spirit has been transformed. That often amounts to an impossible task for some, there’s no summoning the required energy to overcome the inertia. But once you’re there and invested, you won’t want to leave.Įverett’s Sam is a character who, like so many of us, has work to do on herself.

#Bridget everett new yorker series

This is a series that takes its time to establish a sense of place, who these people are, and what they want from the world. Even if you were among those who stanned hard for her breakthrough performance as a domineering, absent mother in the Sundance cult favorite Patti Cake$, you’d be surprised by how much she’s capable of as an actress.

He drags Sam there, and as she finds her voice on stage, the empowerment and satisfaction echoes through the other complicated areas of her life.Įspecially in contrast to her cabaret persona, Everett is doing stirring, soft character work in this series. Instead, he uses it to stage an open mic night, his own cabaret of sorts, where the town’s queer folk, artists, and anyone who feels lost and yearns to express themselves can commune and perform. He tells a white lie to the reverend, asking for church space for choir practice. Through Joel, who volunteers for a church, she finds a bit of salvation. It’s a complement to her warmth and compassion, her desire for the best for everyone that she loves, even if they can’t be bothered to do right by her in return. And, maybe more terrifyingly, could she ever be happy.Įverett plays Sam, who is snarky and sarcastic in a way that puts off some members of her small-town Midwest family, but thrills others like her new friend Joel (Jeff Hiller), who works with her at the brain-numbing center where they grade standardized tests. If you’re familiar with Everett’s cabaret work, you’ll be blown away by what you see in Somebody Somewhere, a profound and meditative-dare we even say quiet-series about a middle-aged woman who is back in her Kansas hometown following the death of her sister, wondering, maybe a few decades later than she should have, what the hell she is going to do with her life.